Most Underrated Horror Movie: Event Horizon

It’s Halloween and we at RevPub are doing our own horror movie retrospective. Not a list of favorites or least favorites, but specific categories each week! This week I’m taking a look at what I think is the most underrated horror movie in recent memory…

Event Horizon: Do You See?!

What makes a great horror film? Mood, build of tension, and good characters are definitely on the list. Many will point to successful other horror movies, Carpenter’s Halloween, Hitchcock’s Psycho, as achieving these things, but the overlooked gem Event Horizon does them as well as any horror film I’ve seen.

I won’t go into the plot beyond the set up: Sam Neil stars as Dr. Weir, a scientist accompanying a mission to investigate the ship “Event Horizon,” which vanished years ago and he had a hand in designing. Lawrence Fishburn is Miller, the captain of the salvage team which is also full of great character actors and diverse personalities within the film from a no-nonsense pilot, flippant rescue tech, and a motherly XO.

While this all sounds traditionally sci-fi, the film actually belongs more in the haunted house genre, and is one of the most effective in that category. Mixing equal parts Aliens, Hellraiser, The Shining, and Amityville Horror Event Horizon succeeds where so many genre mash ups have failed. Yes, it’s set in space, but the scares are psychological. It has as much in common with Poltergeist as it does Alien 3 and the nature of the scares is actually more personal than many modern horror movies. Since it was in all the adverts for it I don’t think I’m spoiling anything to mention that the ship left space and ended up in a horrifying dimension, an excellent concept and one used to perfect effect. No creepy monsters or aliens here…all the scares and all the evil is cerebral and comes from people… It is terrifically subtle. Yes there are jump scares, but they mostly occur early and due to sound so it gets you tense early and then never uses the “cheap” jump scare tactic again. It also has gore but it is either seen in quick flashes or is obscured by the scene so it never loses its impact.

Add to this the excellent set and sound design and superb cast and you have a perfect storm of horror film-ology. So why isn’t it considered a modern classic instead of a lost treasure? One reason is probably the casting. The actors in the film are terrific character actors known for intense and effective performances and likely cast because they fit the roles perfectly; this rather than shoe horning in some marquee draw who has no place in the film and is only there to sell tickets. There are also no eye-candy characters (see THIS post…), everyone looks like they belong to a crew of a salvage team. And finally, the premise: a space ship that creates a black hole and ends up in another dimension doesn’t sound like horror potential. So many of the slasher (and later torture) fans gave it a miss. And what a tragedy as it does horror far better than many of the movies in those genres have.

The very well-designed and creepy gravity drive.

If you look at it’s the success of its descendants it makes me wonder if the film may be on the verge of a renaissance. Games like Dead Space lifted its premise, tone, and environments whole-cloth. Even my beloved Warhammer 40k, though it predates the film, borrowed some of the concepts in its later editions. I’m hoping, as the audience has matured and become more sophisticated (strangely because of movies like Event Horizon) the progenitor of so much of modern sci-fi horror will finally get its due.

I’m holding out hope the next time I exclaim “Do you See?!” to a room full of horror fans the response from the vast majority will be “Yes……I see….”

 

 

Off the Top of My Head: Neo-Retro

Off The Top of My Head

Neo-Retro

I recently had to explain what a MP3 player was to someone just a few years younger than me. I also had to explain what an MP3 was. Her music player was her phone; her music was “iTunes” or “Amazon.” This conversation made me realize that something as relatively recently widespread as MP3 players have kind of been passed by. And a lot of technology and trends have followed suit. This in my mind is “neo-retro”: items or fashions of very recent history that have briefly dominated a sector of the culture only to be replaced by the ever moving march of progress. Here were some of the ones that crossed my mind:

These envelopes made every trip to the mail box like a trip to the video store…

Netflix Disc Delivery: In 2006 I was given a free month of NetFlix from a friend at work. I was hooked on the service and soon signed up as a regular customer. Sold by the cheap monthly rate that would give me unlimited movie rentals for titles you couldn’t find anywhere else. The service sounded ridiculous. I get a disc in the mail? Then send it back and get another one? But after trying it I was able to watch seasons of TV shows and new-release movies in marathons. You became a master of scheduling; you could calculate when you’d watch a disc so you could have the next one by the weekend. I eventually upped my service to include Blu-Ray discs, and eventually added the streaming service, because it was free with my subscription, despite the paltry video library available digitally. Then a shift occurred. The digital library expanded. NetFlix upped their prices so the digital service was cheaper than disc delivery. I eventually cancelled the disc service and now watch everything on Netflix streaming. During a brief period about 2004-2010 to “Netflix a movie” or “Netflix a TV show” meant you got all the discs delivered and watched them in quick succession. Now no one uses it that way. To “Netflix” only refers to the digital service and while disc deliveries still exist the convenience and vast library available digitally has shifted the rental culture. I still remind people, however, that while Netflix (and later Amazon Prime) changed the way we get movies…it was the disc delivery service that spelled the end of the local video stores. Yes. It was that big. But it has come and gone as the prime mover in movie services.

Don’t laugh. AOL changed the way people contact each other over the computer. Despite what people may say about them!

Email and IM: Yes email still exists. Yes it’s widely used. BUT. There was a time when email was the preferred way to contact people. Now email has been relegated mostly to business/commercial purposes. I use it all the time at work, I use it for internet purchases, and I stay hooked in through email for bills, etc. I even get the occasional email from a friend containing a link or something specific. But is it the most common and popular way I connect with friends and family? Absolutely not. Even though it is available on most smart phones. Now even my friggin’ insurance company offers the choice “enter email address” or “connect via Facebook.” Really? Really? My insurance is good with using my Facebook profile as my main contact info!? Similarly AOL began the wide-spread use of Instant Messenger services. All through high school and college I used IM to connect with friends more than any other form of communication. With the proliferation of affordable cell phone plans, text messaging, and services like Skype the classic instant message has been sent to retro history. So much that the venerable AOL IM sound gets guffaws of retro laughter…..for those who remember it.

MySpace: MySpace is still recent enough and its decline so public it’s not as long-lost as the others on this list. Though it was preceded by other similar concepts, MySpace really started the entire popular social media concept. I had a MySpace page and honestly I still prefer the customizability and personalization capable in a MySpace page. You could set backgrounds…music…colors…all kinds of things. When Facebook started to take over the world MySpace slipped into decline, or rather it went back to what it was created for, advertising bands. But, briefly, MySpace bridged that gap between “here’s my email address, write me sometime” and “here’s my Facebook name, friend me” to dominate social interaction.

Trends move quickly. So quickly sometimes they have come and gone before you can even get used to them. “Retro” has become hipster cool, so having records and tapes is considered fashionable…while using any of the above “neo-retro” items is usually considered “lame” or out-of-date.

So the next time you decide to move all your contact info to Facebook or its inevitable successor…remember nothing stays on top forever. The big thing of today is tomorrow’s has-been!

To see more about RevPub’s thought of tech trends check this post out!

Realm of Battle Sector Imperialis Work In Progress

Off The Top of My Head

Realm of Battle Sector Imperialis Work In Progress

This year I got myself the coolest birthday present I’ve ever gotten myself.

The day I moved in to my new place I decided to spring for the new Stormclaw Warhammer 40k set. I found a trusted seller on eBay was selling it as a rate and ordered it from them. The week it came out I received a message saying they didn’t get as much stock as expected and wouldn’t be able to send it.   I could get a refund or use that money to buy something else. While cruising their page I found they were selling the new city scape, Sector Imperialis, at a reduced rate as well. So I applied my Stormclaw money to it and got a 330 table top scenery set for $158 dollars. It was great.

It has been a nice project and one I’ve been looking forward to. A large-scale painting project that can be easily customized and personalized.

I wasn’t quite sure where to start so I watched these videos and soldiered on:

I followed most of these recommendations the letter. I changed the ground color to Mournfang Brown and ran out of Skavenblight Dinge (go for four pots, I have used three there’s enough in the bottom of them for touchups and nothing else) so I used Stormvermin Fur around the Aquila sections.

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Straight road sections. Clearly needs touch ups, but for 3-4 hours work it’s going faster than expected.

 

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The T Sections.

 

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This metal section has been touched up a bit. Still need to go back over the Skavenblight, but it’s going quickly. A thin card will work well to keep the right colors where they’re supposed to be.
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Running out of Skavenblight made me use Stormvermin around these sections. It’ll mix it up nicely I think and will blend well.

I’m going to mix Nuln Oil and Drakenhof Nightshade instead of Athonian Camoshade to give it a dirty blue color instead of earthy green.

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My painting rig. A big piece of cardboard would work as a pallet but since I’m painting all six sections at once I’m standing up most of the time. The traditional version comes in handy and is only $5. The brushes were $1 each and my water container once contained lunch meat!

I’ve still got the bronze colors and touch ups to do on the basing of this painting but believe it or not this much work only took about 4 hours. It goes fast. I’m looking forward to finishing basing and I’m very eager to start detailing and working on the colors to see what happens. I’m going to take Duncan’s recommendation and try Nurgle’s Rot some of the sewers, and maybe some water effect in some of the other sewers.

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This project, at 6 feet buy 4 feet, eats up paint. These are the pots I’ve used thus far…

I’ll post more of them as I go. It’ll start to match my NEW Imperial Guard army, which I’m starting in the next week!

In other news…check out the site in the next few weeks as there will be some new merchandise (Finally) I’ll post once the designs are done!

 

AVGN the Movie: The Film Event of Our Generation

No. That was not hyperbole.

James Rolfe, aka, the Angry Video Game Nerd, encompasses two of the biggest influences of my generation of 20-30 somethings: video games and the internet. (with hip-hop culture rounding out the triumvirate of my generation’s biggest cultural influences).  And for the last eight years, he and his friend and writing partner Kevin Finn have been working on a full-length feature film for Rolfe’s online persona and, yes, I truly believe it to be the movie event of my generation.

Don’t believe me? Here is a short list of the reasons why!

  • Video Games & Gaming Culture: Video games have, since the beginning, had many myths and legends associated with them. The movie discusses all the little secrets that used to appear in Atari games (initials and easter eggs), but even later games like Mortal Kombat, Doom, Tomb Raider, and Killer Instinct all had their own lore associated with them . These little mysteries entered into gaming culture so much that secrets in games are commonplace and expected now. Myths about how games are created and their back stories are just as compelling; from how Pac-Man got his name (anyone believe Scott Pilgrim’s explanation?) how Rock-Man became Mega-Man, we just eat these legends up. The AVGN movie explores a real game legend with a fantastical explanation. It’s the kind of stuff the internet would run with in this day and age! And on that topic…
  • Internet & YouTube Culture: The only cultural aspect that has impacted my generation more than video gaming would be the internet. People make their entire careers as internet personalities (James Rolfe being one of the best and most successful) and legions of fans follow them, often doing just what they are begged not to do. The Angry Video Game Nerd even points out in “Nintendo Classics Re-Revisited” that people bought and played Jekyll and Mr. Hyde after he expressly told them not to. The whole premise of the film is that negative press from the right personality can bring positive results. Both from a slightly sleazy game publisher and from an altruistic scientist. It’s an interesting parallel and sums up how the internet community can have profound impact on course of popular culture.
  • The Movies of Our Youth: For those in my generation, the happy-go-lucky 20-30 somethings out there, we grew up with cheesy horror movies, giant monster movies, goofy cartoons, and practical effects (guys in suits, miniature sets, puppets, blue screen effects, etc.) James Rolfe is a filmmaker first and he makes movies the way he likes them. With…guys in suits, miniature sets, puppets, and blue screen effects… I think even if he’d managed to raise 10 million dollars we’d still see a model van explode in a spark-filled firecracker explosion and not a real van flip and burn before bursting into a gasoline bomb. Death Mwauthzyx would always be a home-made suit…never a CGI model. It’s just like the movies and afternoon cartoons we all grew up with; summed up in one brilliant two hour spectacle.

I don’t think it’s necessary to go into the plot or characters. I won’t spoil it and it’s actually got too much going on to sum up in a few sentences. But suffice it to say I think James Rolfe captured the entire culture of 25-35 year olds in a compelling and incredibly hilarious movie, made with love and affection for that culture AND love and affection for his fans. Furthermore it still feels like an AVGN episode. Yes it’s bigger, more characters, expanded world…but it is still his world and has his tone.

James Rolfe has declared a sequel isn’t likely. While I’d love to see another expanded look at the AVGN’s life I can see why and I’m looking forward to seeing what other, new creative ideas he has. Until then I know I’ll enjoy revisiting all things AVGN for a while to come. It truly takes me back to the past and exemplifies what’s great (and delightfully bad) about the cultural impacts of my generation in the best way possible.

Cinemassacre website

Buy the movie!

Off the Edge: Lots of Pretty, Pretty Ones…

Off the Edge

I recently went on a BBC TV binge. I watched a lot of great, strange shows that seem to come out of the UK. I went back to one of my favorites, Spaced, and while on my Frost and Pegg marathon I found the show Hyperdrive and became incredibly addicted to that, even though, like Spaced, it’s a very short series.

While watching both of these shows it occurred to me that these kinds of TV shows would never be made in the same way in the states… Nick Frost, while a great lead and a terrific comic talent, just doesn’t seem like the kind of show runner they like in the states. Nick is a husky guy with irregular teeth. The female lead, Miranda Hart, is a very tall woman, also pretty husky. The other male lead, Kevin Eldon, is a thin, balding man. I started to wonder how this show would be cast if it had been made in the US. Replace Nick Frost with Matt Bomer, Miranda Hart with Nina Dobrev, and Kevin Eldon with Misha Collins. The comedic timing and talent of the original cast replaced by people more pretty and photogenic performers.

The three principles in the BBCs Hyperdrive

The same goes for Spaced Simon Pegg and Jessica Hynes replaced with Josh Lawson and Sara Rue younger, sexier people. Despite the fact that the original story of Spaced kind of had them as 20-something losers.

The Cast of the UK Spaced

Watching those two shows made me wonder where all the regular people are in US TV and films. I know a lot of people who watch shows or go to movies just because they like the way the actors and actresses look. It got me thinking, where are all the “normal” looking people in TV shows and movies? Of course “normal” is very subjective but few people would consider Zoe Saldana, Jennifer Aniston, and Kate Beckensale as “normal;” all of them definitely holding firm positions on the “extremely attractive” to “absurdly attractive” on the physical appearance scale. Shows like Burn Notice, True Blood, Arrow, Supernatural, they may all be great shows with good performances…but are just full very un-normally “pretty people.” Grizzled soldiers, hardened prisoners, brilliant scientists, and slacker losers are all the same chiseled-jawed guys and slim fit girls.

Natalie Portman: Your typical Scientist…

Of course British TV isn’t better in every case, and I don’t watch much TV in general, but I’m hard pressed to think of a US TV show that isn’t chocked full of American Apparel models with Blue Steel expressions and full, pouty lips. Almost universally. Even when a show is built around a personality the rest of it is cast with hot eye candy as friends and family.

Gerard Butler as Attila the Hun…who was likely of Mongol Origin… That’s authentic…

The entertainment industry has become an almost entirely visual medium. Yes of course music is an auditory art, however since at least the advent of film, if not the advent of public performance in general, the visual impact of a performer is often significantly more important than their musical talent…and we all pretty much know it.

As someone who considers himself to operate essentially on the “normal” side of the physical appearance meter it struck me how little of “normal” we see and makes me wonder how much talent goes untapped in the market due to a performer’s appearance. Every piece of our entertainment is now designed wholly to appeal to the attractiveness of the individuals involved. I’d like to see a “return to normalcy” in media. Where talent, personality, and ability makes a show great. The last time I can think of a show not fully stocked with the beautiful people it was Roseanne; a show that started in 1988 and ended almost 20 years ago! I’d say we’re long overdue for a move away from all the beautiful people.

Life Lessons from Video Games: Every Day Video Game Influences

LifeLessonsHeader

Video gaming has affected modern culture in strange ways. Many of the more recent ways spring from online/multiplayer culture, but surprisingly the games I grew up with, the ones from the 80s and 90s, have had a lingering effect. Things I do day-to-day still show the touch of the 8-32 bit era and just recently I thought to document the weird game references I do in everyday life and here are just the top ones…I’m sure everyone does something like this…

5.) Korobeiniki: I’ve found this to be more common than I realized. As someone with an advanced degree in OCDs and organization I’ve found that organizing anything, desk drawers, folders, shelves, U-Hauls, is always accompanied by this song playing in my head, and occasionally I hum it aloud. I never even played much Tetris because of how messing up lines made my OCDs want to eat my brain but I attached this song indelibly to putting things in order, in nice right angles, NEAT UND TIDY!

4.) Null sweat, chummer: Yes, yes I know Shadowrun was a pen-and-paper RPG before it was ported to the Sega Genesis and turned into an action/adventure masterpiece in 16-bit glory…but I never knew that in the 90s. I knew Shadowrun as a cool used cartridge I got with a very interesting futuristic landscape and creative lingo. Every now and then instead of the usual “No problem,” “sure,” or “My pleasure,” “Null Sweat, Chummer” pops out, much to the bewilderment (usually) of the person receiving this statement. I think if I ever say this to a girl and she responds “Keep running in the shadows” I’ll probably propose…

You say sure thing…he says “Null Sweat, Chummer”

3.) At Doom’s Gate: I spent more time running down the hallways of Doom than I spent in school I think. It’s a rare game I could put on godmode and not get bored. Thirty days in a row… To this day moving swiftly down hallways, corridors, or even through crowded mall makes this music pop into my head. Given how much time I spent blasting hellspawn in that game I wonder if I should fear for the crowd…

2.) Test Your Might/Flawless Victory/Fatality: Mortal Kombat…it briefly held our attention by being more cartoonishly bloody than contemporary games. Even beyond that it started its own mythos…you could find secret characters, see secret things, and half the rumors about it weren’t true. The fighting parlance of the game though far out-lasted the novelty of ripping people’s spinal columns out. I use the above three phrases a LOT in day-to-day life. “Test you Might,” any time I have anything to do really (not just breaking big blocks of steel, rubies, or diamonds). “Flawless Victory” is usually reserved for a better-than-expected result, with “Fatality” brought in when that result ended in total ownage.

1.) HADOUKEN: I use this ALL the time. It’s sad. I use it when I throw clothes across the room. I use it when I toss my phone on the desk. I use it when I drop a dish in the sink. I have no idea why but anything leaving my hand at any moment and any speed equals HADOUKEN to me. It’s probably from the ridiculous spamming of that move that came with playing any version of Street Fighter II… If I ever do figure out how to throw a fireball (I’ve tried moving down, then slightly down forward, then forward and yelling it…it didn’t work) the world would be in big trouble (see my comments on crowds in the “Doom Music” section above….).