King’s On Writing: Writing Is Work

Writing is work
Photo from: http://www.auwrites.org

Stephen King knows how hard it is to be a professional writer. I’m sure some of you also relate because you are published or at least have stayed up until 3 a.m. to write a good paper that was due next morning. And it wasn’t easy either.

In sections 19-24, King discusses his earliest work – think editor of The Village Vomit, not Carrie. As he talks about his first jobs, stories, and articles, there’s an important message here: Writing is hard work. It takes dedication, persistence, and passion. In order to succeed, you need these things and support from those around you.

Here are some other highlights:

  • After The Village Vomit debacle, King’s school guidance counselor hooked him up with a paying writing job as a sports writer. While reading, I remembered guidance counselors. What happened to them? I had one in high school who I spoke to once when I was in trouble, and she didn’t guide me to do anything. Do they actually do anything now? King’s counselor did exactly what he was supposed to do; he kept him from causing more trouble and fueled his creativity. He got him a job, encouraged King’s passion, and provided guidance. Other than family, this may have been King’s earliest support system.
  • Do you have an editor? If so, you’ve had your writing ripped to shreds. It’s what we do when we have to. Every professional writer has an editor who makes them a better writer. Journalism and English majors can tell who the exact professor was. And as a writer, you take it. I’ve been in both places, and they’re both hard. The best thing to do is learn from it and not take it personally. It’s not personal, it’s the process. If you don’t want an editor, then start a blog, but if you write professionally, remember to handle criticism well and hone your skills.
  • You may have to work a day job or crap job. King’s first real-paying job was dyeing cloth at a mill. His schedule was long and tedious, and anyone who has had to work while going to school gets it. It’s hard work, but it makes you strong and you appreciate the good jobs that come your way. I could relate most to this because I worked full time, went to college full time, and had a family to support. Looking back, I have no idea how I did it, and I hope I never have to be that exhausted again. However, it was worth every minute. I’ve learned so much, and a good work ethic isn’t something you can buy – it’s a natural ability.
  • And it’s that natural work ethic the drew King to his long-time wife Tabitha (aside from her gorgeous legs and “raucous laugh”). This is where the support system comes in. Every artist, whether a writer, painter, musician, designer, needs support. They need to be loved and have someone to love. Sometimes you need a push, and only that person can provide it. For example, many King fans know Tabitha rescued pages from Carrie from the trash and pushed him to finish it. Every artist needs someone to believe in their work.

We’d love to hear about your writing experiences, including those naggy editors and good guidance counselors, in the comments below!

King’s On Writing: The Intro

Stephen King’s On Writing: A Memoir of the Craft is one of my favorite books ever. I’m on my second read and didn’t realize how much I enjoy his honesty and advise on writing, ideas, and life in general.

I decided to review it after one of our featured artists – Kevin Litwin – mentioned what the book meant to him and how it helped him as a writer. The light bulb went off, and I thought … what a great book to review!

So, here’s the intro. The book is not your traditional how-to write; it’s his story about what influenced him and how he got to where he is today. It’s not organized by chapters, rather sections that feel like stream of conscious but flow very well. Each section builds on one another, and you can easily read a couple of pages, laugh, and get back to life. You may not want to put it down though, so consider yourself warned…

I’ve always wondered what made famous writers famous. It’s not the writing quality (sometimes unfortunately), it’s not based on pop culture or what’s in style. Before everyone knew King, no one did. I’ve decided it’s the storytelling and its delivery.

With that said, here are some highlights and things I learned from the first 10 sections:

We tend to remember the traumatic events more than the good times. I’m sure psychologists would say because we are scarred and do not heal, they have more of a lasting effect. Maybe that’s true, and I definitely think it makes a writer better. Writers use that negative energy to tell their story and heal themselves.

We need the bad and the good. The hard times help us appreciate the good ones. They evoke emotion – negative or not – that we need to feel and act human. Artists have to have a muse, and no matter what, emotion is our muse. Certain things evoke the emotions we need, but at the core emotion fuels art.

Get ready to toughen up. I won’t spoil too much, but King refers to not being scared of literary critics thanks to a 200-pound babysitter farting on his face when he was a young boy. (Words wouldn’t scare anyone after something like that!) The point is if you plan to put yourself out there, get ready for people to talk about it. People love commenting – on everything.

Imagination is a wonderful thing. Think of some great fiction writers, Dr. Seuss, J.K. Rowling, Shakespeare, King, and think about what you love about their writing. It’s not because it’s grammatically correct or a best seller, it’s the creativity they put into the story. It’s their incredible imaginations flowing onto hundreds of pages that create a world for the reader. That’s imagination.

Be yourself. I’ve discussed this many times, and the more I learn, the more I realize how true it is. No one cares about your education or social class. No one cares where you came from or who you know. If you pour your heart, soul, and everything that is you into something, people will notice and appreciate you for it.

This week I challenge you to a writing exercise: Pick something that evoked a strong emotion – good or bad – and write about it. No one has to read it, just let the emotions pour out onto the page. What happened and how you really felt about it. Don’t be afraid. Who knows, maybe it’ll turn into something great!

10 Script Writing Tips

Earlier this year, the RevPub team volunteered to read scripts for a local film festival’s screenwriting competition. As we approach our second year as readers, I wanted to share some things I learned about screenwriting while reading the good, the bad, and the ugly.

1. Keep it simple. I cannot stress this enough. Don’t overcrowd your story with too many characters, locations, or plots. Think about some of the best movies and what makes them the best. Most good movies focus on one or two main characters and a handful of minor characters, and their story.

2. Don’t describe the characters in great detail. This is what the crew is for. The casting director will pick who plays what, the costume designer will dress them, the actors will bring the characters to life. Only mention physical appearance if it’s essential to the story.

3. Select a central location and work around that area. Scripts that bounce from place to place drive me nuts. It’s hard to remember where the characters are and why they are there. Pick a central location, and use the area around it, but try to stay central. For example, if it’s set in a school, keep it at the school – not the school and all the kids’ homes.

4. Start with a bang. Scripts that set the scene for paragraphs on end will bore the reader. Begin the script with action or something interesting that immediately grabs the reader. Set design will create a scene, so you don’t have to ramble about what it looks like. If it’s a forest, for example, just say a forest. We know what a forest looks like.

5. No stupid dialogue. I cannot tell you how many times I groaned reading dialogue. Dialogue should move the story along, not slow it down. The things said should be important for character and plot development, and each character should have their own voice. Keep it conversational, but make sure what they say is important to the plot.

6. Remember everything matters. I once had a professor say everything in a movie had a purpose. As I’ve watched movies since then, I realized he was right. Every prop has a purpose. Every character needs a reason to be there. Every word should serve a purpose and not just fill space.

7. Avoid adjectives and adverbs. One of the worst lines I read was “[Katie] flings her dainty wrists haughtily.” Enough said.

8. Balance dialogue and narrative. The best writers used both and not equally. It depends on the story, and both are important. Make sure you aren’t rambling on or slowing down the story with either.

9. Have people read it. Give it to your friends and family before finalizing it. Have them read the first 20 or 30 pages, and get their feedback. If you’re on the right track at 20 pages, the rest should be fine. Also, have a proofreader read it to ensure correct spelling and grammar – these errors can distract the reader and show the writer doesn’t care enough to fix the little things, so they probably won’t accept feedback well.

10. Have fun! Have fun writing, and let your story come to life.

If You Want to Write: Wrap Up

We’ve reached the end of the If You Want to Write series. For a small book, there’s a lot to discuss and learn, and hopefully, we’ll become better writers from it. Not better in terms of quality, but better in the sense that we are more true to ourselves.

In the final chapter, Ueland lists 12 things we should keep in mind while writing. I picked my favorite five:

1. Know you are talented, original, and have something important to say.
Many of us struggle with this. We doubt ourselves and our abilities, but if we work hard and stick with it, there’s no limit to what we can do.

2. Work is good.
People tell me I’m crazy because I enjoy working. I’m not a workaholic; I know when to take a break, but I do enjoy working. It always pays off one way or another, and it beats watching TV all the time. Also, we should love what we do, and if not, we need to change something. We spend too much time working to hate it.

3. Don’t be afraid of writing bad stories.
I love this advice. Ueland says in order to know what’s wrong with a story, write two or three more and go back to the first. “Good” writers learn from their mistakes and work to fix them. And it doesn’t matter if people like it – write for you.

4. Don’t be afraid of yourself.
We all have demons, baggage, hang-ups, whatever. We all get in our own heads and may be afraid of what we’ll find if we open up. People may judge us. None of it matters. Be whoever you want to be, and let those emotions pour out. At the very least, you’ll feel better.

5. Don’t compare yourself to others.
Ueland says because we are all unique, we are incomparable. We should not criticize because they do not write like we do. We should not question ourselves because someone is better. We should stay true to ourselves and our art.

If You Want to Write: A Book About Art, Independence, and Spirit digs deep into the emotion it takes to write passionately. Ueland encourages us to write with honesty and love ourselves. With that, here is a poem I dug up. Can you guess what it’s about? 🙂

My eyes burn, heavy lids
eyelashes itch, dry skin peels.
Muscles ache, hunched
wrinkled hands, cracked.
Jaws clinched, I bite
my lower lip.
The day is done,
what do I do?
Complain about the day’s past.
A line appears across my forehead,
but what’s the point?
Another day gone by,
another eight hours done.
What is the point?

If you haven’t bought the book, check it out, and I look forward to hearing your thoughts. May it inspire all artists!

If You Want to Write: Novel Organization

“Consistency is the horror of the world.”

– Brenda Ueland

This chapter ranks as one of my favorites in this book. It’s all about how to write a novel, which as many know is one of the hardest things you’ll ever attempt.

Ueland encourages writers to “write the novel first, and plan it afterward.” When I read this, I immediately thought that she was crazy. How would you keep up with the story, characters, conflict, etc. if you don’t plan it?

Then I thought about my own book and how I work on it. I write chapters at a time and plan to put it all together once it’s done. As I write, I don’t think about where it will fit or the chapter sequence; I just write. Ueland recommends this technique because it allows the writer to write freely without bogging down on the details. She says you must tell the story first.

outline exampleHowever, novel organization depends on the writer and the story. Some writers need everything laid out so they stay focused, while others can just write. My book lends itself to writing freely because there’s no story arch or developing characters, instead it’s mini stories. If your novel has these things, you may want to consider organizing as little or much as you want.

Here are some ways to organize your thoughts:

1. Outline. Do you remember the Roman numerals? Here, you may actually use all those outlining lessons! Start with your topic and work your way down the page. Events you want to include, new characters and conflicts. You can even write an outline for each chapter or major event, and piece them together in the order you want. You do not have to finish all the outlines either. It may feel less overwhelming to start with one or two and write off those at first.

2. Index cards. You can buy a stack of lined index cards and plan anything you want. Group the index cards with paperclips, or you can buy different colors to represent different things. I like to use legal pads or spiral notebooks too because I can’t always work on a computer and may want to jot down the basics.

3. The snowflake method. Until this post, I was unaware of this method, but it seems interesting. You start with a one-sentence main idea, then turn that into a paragraph summary. Then you flesh out characters and start writing the narrative. Check out Randy Ingermanson’s site for the full process.

Of course, Ueland would advise against any of these methods, but some people need guidance and organization in order to produce. I could not sit down with an idea and say, go! I wouldn’t get very far. Also, what works for one may not work for another, so I encourage you to find a method that appeals to you and get to work – even if it’s only 30 minutes a week.

Additional links I found during my research:

http://writersrelief.com/blog/category/organization-techniques-for-writers/

http://wordsharpeners.wordpress.com/2009/09/02/planning-outlining-and-organizing-your-novel-or-not/

And feel free to share your organization tips and processes below. Happy writing!

If You Want to Write: People Make a Difference

Happy New Year, everyone! As 2014 kicks off, we’re full of excitement as we set our resolutions or simply hope that things will not suck. In honor of new beginnings and change, let’s talk about something that motivates us: people.

Ueland’s chapter 15 “a fountain of ideas” touches on something much deeper. Yes, we are full of ideas – good and bad – but we need certain things in order for those ideas to blossom. We need courage, faith, rest, and as much as I hate it sometimes, people.

Friends, family, coworkers, strangers. People surround us all the time, and whether we admit it or not, they influence who we are and how we act. They can make or break us. They can build us up or tear us down. In order to be ourselves and write from our true forms, we must decide who is worth our time and energy. We must weed out those who hold us back and doubt our abilities, because with doubt, there are fewer possibilities.

In order to be a fountain of ideas and let our creativity seep out, we must know how to handle people – “to work and shine eternally.” Enjoy these tips!

Avoid negativity: This is my biggest challenge. I feel the need to fix things, but sometimes you can’t. Sometimes you have to stop trying – if only for a few hours – and get away from what brings you down. Negativity can destroy creativity.

Meet new people: I love meeting new cool people. Yes, I hate people as a whole, but every now and then I meet someone who is worth time and attention. My best friends are these people; they are people I have developed long-term relationships with, some for more than a decade.

Pay attention: If you want people to listen to you, listen to them. You can also test your observation skills by really listening and getting to know them. You never know when a small detail will fuel something bigger.

Laugh A LOT: We should laugh as much as possible. It’s a great stress release, and the world is too serious. Find those people who make you laugh until your abs hurt and your eyes tear up. Those people are special.

Take a break: Socializing can be exhausting, and we don’t always feel like chatting. Don’t force it, and take a break when needed. If someone gets upset about it, they’ll live. If they are good for you, they will be there when you’re ready.

Be yourself: Honesty goes a long way, and not everyone appreciates or can handle it. It’s okay. Part of fueling your creativity is to not fear who you are and letting those ideas pour out. Your audience knows when you’re bullstuffing them, so don’t do it. Use the good and bad to write honest pieces.

Feel free to share your tips below, and happy writing!